Monday 3 February 2020

Großstadtmelodie (1943)

(Melody of a Great City)


If you download the Matroska link, you will get a MKV-file with optional subtitles, which you can play with a VLC-player on your computer.

Directed by: Wolfgang Liebeneiner
Produced by: Heinrich Jonen
Written by: Géza von Cziffra
Maria von der Busche
Else Feldbinder
Wolfgang Liebeneiner
Music by: Werner Bochmann
Michael Jary
Rudolf Perak
Cinematography: Richard Angst
Walter Pindter
Edited by: Marthe Rau
Production company: Berlin-Film
Distributed by: Deutsche Filmvertriebs
Release date: 4 October 1943
Running time: 107 minutes
Country: National-Socialist German Reich
Language: German

Starring:

Hilde Krahl: Renate Heiberg
Werner Hinz: Dr. Rolf Bergmann, rapporteur
Karl John: Klaus Nolte
Paul Henckels: Director Heinze, Publishing Director
Will Dohm: Dr. Pauske, picture editor on duty
Curt Ackermann: The director of the review
Günther Ballier: A Berliner at the tram stop
Heinz Baur: Velten, employee Dr. Werners
Fritz Berghof: An unapproachable foreign personality
Elfie Beyer: Vroni Huber, Renate’s cousin
Erwin Biegel: The director of the review
Marlies Bieneck: Lotti Brandt, Dr. Pauske’s secretary
Käte Bierkowsky: Mrs. Stirner
Beppo Brem: Money postman
Heinz Brilloff: A reporter who goes swimming in the lake
Vera Complojer: Ms. Moosbrugger
Gerhard Dammann: The truck driver
Ernst Dernburg: Mr. Stirner
Franz Dombrowski: The traffic protection officer at Potsdamer Platz
Liesl Eckardt: Maid with Dr. Pauske
Josef Eichheim: Alois Huber, photographer
Peter Elsholtz: Buckel, employee Dr. Werners
Angelo Ferrari: A foreign reporter for the review test
Otto Graf: Dr. Werner, editor-in-chief
Walter Gross: A Berliner at the tram stop
Wilhelm Große: The registrar who trusts Klaus and Viola
Clemens Hasse: Tielke, photo lab technician
Johannes Heesters: Plays itself in a revue
Friedel Heizmann: The editor who is looking for pictures from Stuttgart
Irmgard Hoffmann: Mrs. Tupfer
Melanie Horeschowsky: Mrs. Krauthofer, Berlin pension owner
Ursula Klinder: Miss Kindler
Horst Lommer: The Berlin photo reporter colleague of Klaus
Marlise Ludwig: Mrs. Pauske
Käte Merk: A young lady at the sausage stand at night
Kurt Mikulski: A Berliner at the tram stop
Karl Morvilius: A police sergeant on a night tour
Peter Mosbacher: Kajetan Orff
Ditta Oesch: Anni, the: girl with Alois Huber
Walter Pentzlin: A gentleman
Wolfram Pokorny: A reporter who goes swimming in the lake
Gustav Püttjer: A welding worker in Berlin at night
Karl Rathgeb: Lapwing
Paul Rehkopf: The old cobbler in Berlin
Willi Rose: The police officer in the zoo
Günter Sabek: Florian, son of Ms. Tupfer
Werner Schott: Mr. Petersen
Heinrich Schroth: Old man with grandchild
Vera Schulz: The: Housekeeping staff at the pension
Walter Steinweg: A reporter who goes swimming in the lake
Ernst Stimmel: Mr. Albrecht
Werner Stock: Heinzelmann, employee Dr. Werners
Otto Stoeckel: Dr. Springer, director of an image agency
Gerda Maria Terno: Mother with child
Konrad Thoms: An photo-reporter during the review test
Rudolf Günther Wagner: An photo-reporter at the rehearsal
Franz Weber: The director of a photo agency
Inge Weigand: Miss Gerti from the Berolina Press
Hilde Weissner: Ms. Hesse, owner of a fashion salon
Eduard Wenck: Messenger, doorman of the Berolina-Press
Charlotte Witthauer: A telephone operator in the airport hotel
Viola Zarell: Viola, dancer and revue star, fiancée of Klaus Nolte
Maria Zidek: The secretary at Bergmann

Plot:

The film is about Hilde Krahl as a photographer in provincial Bavaria, who gets the chance to sell some photos to a major magazine and decides to move to Berlin. Here her dreams are first crushed; she loses her first job immediately by doing semi-artistic snaps instead of the sport press coverage that was demanded and toils away in the big city only supported by a photographer friend (Karl John). Then, however, her sport photos are dug out and she gets an offer to work for the big guns in the business, among them a journalist (Werner Hinz) she has fallen in love with.

One of the best films of the 40’s, with a strong modern female protagonist, a realistic description of people trying to find their way in a metropolis, some humour and a very modern sounding description of a romance between people who are separated by their work. Throughout the film there’s lot of Berlin footage interspersed, which comes from Leo de Laforgue’s documentary Berlin Symphonie einer Weltstadt (which was shot in 1938-39 but not released in 1943 as planned, due to the destruction by the Allied bombardments and the film had its premiere only in 1950).
 

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