(Melody of a Great City)
If you download the Matroska link, you will get a MKV-file with optional subtitles, which you can play with a VLC-player on your computer.
Directed by:
Wolfgang Liebeneiner
Produced by:
Heinrich Jonen
Written by: Géza von Cziffra
Maria von der Busche
Else Feldbinder
Wolfgang Liebeneiner
Music by: Werner Bochmann
Michael Jary
Rudolf Perak
Cinematography:
Richard Angst
Walter Pindter
Edited by: Marthe Rau
Production
company: Berlin-Film
Distributed
by: Deutsche Filmvertriebs
Release date:
4 October 1943
Running
time: 107 minutes
Country: National-Socialist German Reich
Language: German
Starring:
Hilde Krahl: Renate Heiberg
Werner Hinz: Dr. Rolf Bergmann, rapporteur
Karl John: Klaus Nolte
Paul
Henckels: Director Heinze, Publishing
Director
Will Dohm: Dr. Pauske, picture editor on duty
Curt
Ackermann: The director of the review
Günther
Ballier: A Berliner at the tram stop
Heinz Baur: Velten, employee Dr. Werners
Fritz
Berghof: An unapproachable foreign
personality
Elfie Beyer: Vroni Huber, Renate’s cousin
Erwin Biegel: The director of the review
Marlies
Bieneck: Lotti Brandt, Dr. Pauske’s
secretary
Käte
Bierkowsky: Mrs. Stirner
Beppo Brem: Money postman
Heinz
Brilloff: A reporter who goes swimming
in the lake
Vera
Complojer: Ms. Moosbrugger
Gerhard
Dammann: The truck driver
Ernst
Dernburg: Mr. Stirner
Franz
Dombrowski: The traffic protection
officer at Potsdamer Platz
Liesl
Eckardt: Maid with Dr. Pauske
Josef
Eichheim: Alois Huber, photographer
Peter
Elsholtz: Buckel, employee Dr. Werners
Angelo
Ferrari: A foreign reporter for the
review test
Otto Graf: Dr. Werner, editor-in-chief
Walter Gross: A Berliner at the tram stop
Wilhelm
Große: The registrar who trusts Klaus and Viola
Clemens
Hasse: Tielke, photo lab technician
Johannes
Heesters: Plays itself in a revue
Friedel
Heizmann: The editor who is looking for
pictures from Stuttgart
Irmgard
Hoffmann: Mrs. Tupfer
Melanie
Horeschowsky: Mrs. Krauthofer, Berlin
pension owner
Ursula
Klinder: Miss Kindler
Horst Lommer: The Berlin photo reporter colleague of Klaus
Marlise
Ludwig: Mrs. Pauske
Käte Merk: A young lady at the sausage stand at night
Kurt
Mikulski: A Berliner at the tram stop
Karl
Morvilius: A police sergeant on a night
tour
Peter
Mosbacher: Kajetan Orff
Ditta Oesch: Anni, the: girl with Alois Huber
Walter
Pentzlin: A gentleman
Wolfram
Pokorny: A reporter who goes swimming
in the lake
Gustav
Püttjer: A welding worker in Berlin at
night
Karl Rathgeb: Lapwing
Paul Rehkopf: The old cobbler in Berlin
Willi Rose: The police officer in the zoo
Günter Sabek: Florian, son of Ms. Tupfer
Werner
Schott: Mr. Petersen
Heinrich
Schroth: Old man with grandchild
Vera Schulz: The: Housekeeping staff at the pension
Walter
Steinweg: A reporter who goes swimming
in the lake
Ernst Stimmel: Mr. Albrecht
Werner Stock: Heinzelmann, employee Dr. Werners
Otto
Stoeckel: Dr. Springer, director of an
image agency
Gerda Maria
Terno: Mother with child
Konrad Thoms: An photo-reporter during the review test
Rudolf
Günther Wagner: An photo-reporter at the
rehearsal
Franz Weber: The director of a photo agency
Inge Weigand: Miss Gerti from the Berolina Press
Hilde
Weissner: Ms. Hesse, owner of a fashion
salon
Eduard Wenck: Messenger, doorman of the Berolina-Press
Charlotte
Witthauer: A telephone operator in the
airport hotel
Viola Zarell: Viola, dancer and revue star, fiancée of Klaus Nolte
Maria Zidek: The secretary at Bergmann
Plot:
The film is about Hilde Krahl as a photographer in
provincial Bavaria, who gets the chance to sell some photos to a major magazine
and decides to move to Berlin. Here her dreams are first crushed; she loses her
first job immediately by doing semi-artistic snaps instead of the sport press
coverage that was demanded and toils away in the big city only supported by a
photographer friend (Karl John). Then, however, her sport photos are dug out
and she gets an offer to work for the big guns in the business, among them a
journalist (Werner Hinz) she has fallen in love with.
One
of the best films of the 40’s, with a strong modern female protagonist, a
realistic description of people trying to find their way in a metropolis, some
humour and a very modern sounding description of a romance between people who
are separated by their work. Throughout the film there’s lot of Berlin footage
interspersed, which comes from Leo de Laforgue’s documentary Berlin Symphonie
einer Weltstadt (which was shot in 1938-39 but not released in 1943 as planned,
due to the destruction by the Allied bombardments and the film had its premiere
only in 1950).
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